I. Stasevich

Museum of Anthropology and Ethnography Russian Academy of Sciences, Russia

E‑mail: stinga73@mail.ru

 Kazakh Women Wedding Headdress in the MAE RAS Collection

 Abstract. The MAE RAS collections on Kazakh culture include four female wedding headdresses — saukele (сəукеле), originating from various regions of Kazakhstan and dating back to the 1850s—1930s. Despite keen interest in saukele shown by Kazakh culture researchers, many aspects of this headdress decoration and meaning of their imagery remain understudied until today. The aim of the present article is to introduce these museum objects into scholarly context as an ethnographic source as well as to establish their history and characteristic existence of such headdress type in the Kazakh culture by the way of a comparative historical and semantic analysis.

 Key words: MAE RAS, Kazakhstan, saukele, wedding headdresses, ethnographic collections, photographic illustration

 References

  • Antipina, K. I. (1962), Osobennosti Material'noj kul'tury i prikladnogo iskusstva juzhnyh kirgizov [Characteristics of Material Culture and Applied Arts of the Southern Kyrgyz], Frunze: Izdatel'stvo Akademii nauk Kirgizskoj SSR.
  • Kuryljov, V. P. (1998), “Kazahskij zhenskij svadebnyj golovnoj ubor. K istorii proishozhdenija (Po kollekcijam MAE)” [“Kazakh bridal headdress. On the history of origins (Overview of MAE's collections)”], Kratkoe soderzhanie Lavrovskih (Sredneaziatsko‑Kavkazskih) chtenij, 1996—1997, St. Petersburg, pp. 65—67.
  • Polos'mak, N. V. (2001), Vsadniki Ukoka (Horsemen of Ukok), Novosibirsk: INFOLIO-press.
  • Popova, L. F. (2002), “Kazahskie zhenskie svadebnye golovnye ubory saukele: opyt lokal'noj klassifikacii (po materialam REM)” [“Kazakh bridal saukele headdresses: An experience of local classification (on REM materials)”], Muzej. Tradicii. Jetnichnost'. XX—XXI vv., Materialy Mezhdunarodnoj nauchnoj konferencii, posvjashhennoj 100‑letiju Rossijskogo Jetnograficheskogo muzeja, St. Petersburg, Kishinev, pp. 136—140.
  • Prishhepova, V.A. (2000), Kollekcii zagovorili. Istorija formirovanija kollekcij MAE po Srednej Azii i Kazahstanu [Collections Speaking. History of MAE's Central Asia and Kazakhstan Collections], St. Petersburg: MAE RAS.
  • Rahimov, R. R. (2004), “Vostochno‑iranskoe farandzhi i kazahskoe saukele: tajat li oni cherty obshhnosti” [“East Iranian faranja and Kazakh saukele: Are there common traits?”], Istoriko‑kul'turnye vzaimosvjazi Irana i Dasht‑i Kipchaka v XIII—XVIII vv. Materialy mezhdunarodnogo kruglogo stola, Almaty, pp. 89—96.
  • Shkoda, V. G. (2004), “Zolotoj voin. Sokrovishha sakskih kurganov” [“The Golden Warrior. Treasures of the Saka burial mounts”], Soobshhenija Gosudarstvennogo Jermitazha, St. Petersburg, vol. 61, p. 158.
  • Simakov, G. N. (1984), Obshhestvennye funkcii kirgizskih narodnyh razvlechenij v konce XIX — nachale XX v. [Social Functions of Kyrgyz Folk Entertainment in the Late 19th — Early 20th Centuries], Leningrad: Nauka.
  • Stasevich, I. V. (2011), Social'nyj status zhenshhiny u kazahov: tradicii i sovremennost' [Kazakh Woman's Social Status — Traditions and Modernity], St. Petersburg: Nauka.
  • Tanikeev, M. T. (1977), Istorija fizicheskoj kul'tury v Kazahstane: dorevoljucionnyj period [History of Material Culture in Kazakhstan: Pre‑Revolutionary Time], Alma‑Ata: Kazahskij institut fizicheskoj kul'tury.
  • Zaharova, I. V. & Hodzhaeva, R. D. (1964), Kazahskaja nacional'naja odezhda XIX — nachalo XX veka [Kazakh National Dress of the 19th — Early 20th Century], Alma‑Ata: Nauka.
  • Zhdanko, T. A. (1952), “Karakalpaki Horezmskogo oazisa” [“Karakalpaks of the Khwarezm Oasis”], Trudy Horezmskoj arheologo‑jetnograficheskoj jekspedicii, vol. 1, pp. 552—553.

 


Copyright © 2010-2016 Manuscripta Orientalia. All rights reserved.

Sign In